The Art of the In-Between

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New York’s Metropolitan Museum of Art (The Met) has a stunning exhibition of famed fashion designer Rei Kawakubo’s work. Of course, she is synonymous with Commes des Garcons, and The Met has put together a really intriguing exhibition that looks at opposites in her work. It blurs the lines of what we think opposite means and looks at what’s in between. It is the essence of what she has done since founding Commes de Garcons in 1969 -- embracing two Japanese principles:  mu (emptiness) and its relation to ma (space). The concept of opposites blurring invokes the space in between.

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As always,we were really impressed by Kawakubo’s body of work as well as the great manner in which the exhibit was curated and designed. We’ve been to other shows in the Costume Institute at The Met that were stunning, but they were typically staged in dramatic setting with more direct lighting, to great effect. But Kawakubo’s work was portrayed entirely different. The staging was white with a matrix of overhead lighting from the ceiling and no spot-lighting on the displays. It emphasized the bold shapes of Kawakubo’s work, reflecting the colors and theme of the exhibit as well as her design ethos..

There are several concepts of “in-betweenness” portrayed in the exhibition and we could go into great detail about each, but I think the visuals tell the story.

Japan Suite
Showcasing traditional Japanese crafts and the artisans who create them — their stories and their art in words and visions. Japan’s hand-made crafts have played an integral role in the lives of Japanese for centuries. They are created in response to basic, everyday needs and have long been used in the daily rhythms of life. They come from the earth and from nature, and they are prized for their simplicity and long life. Craftspeople pour their passion, pride and energy into their handiwork, creating objects that can far outlive their creators, but in doing so, they carry on the artist’s legacy. The artisans know their objects can live hundreds of years, and they want to be just as proud of it in 100 years as they are today. So, everyday household items take on a life of their own, their own spirit and their own story. They are unique, one-of-a-kind creations with a character and spirit that grows stronger with regular use. The artist creates the object, but that is just the beginning of the journey. In the hands of its owner, a relationship is created, one that is nurtured across time. Just as we do, these creations will change over time developing new imperfections and new character. Each region and each artisan have their own character. In Japan, this is known as meibutsu. The legacy has been passed down by Japanese artists across time down to today’s craftspeople who are advancing and redefining this tradition. We applaud these artisans, and we strive to support them as they re-interpret the heritage of their predecessors — and we are proud to introduce their work, their stories and the passion they put into their creation here at Japan Suite.
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